"Marriage
Story" is overrated. Yes, I get it that some viewers are sobbing while
watching it and insisting that it perfectly captures their own divorce, or the
divorce of their parents. "Marriage Story" didn't do that for me.
Alan Alda, as a nice guy divorce lawyer, Laura Dern, as a diabolically manipulative, slinky-dress and
high-heeled-shoe wearing lawyer, and Ray Liotta as the ultimate shark divorce
lawyer, were the best things about this movie. Their parts are written and
performed with great skill and they satisfied me greatly.
Adam
Driver and Scarlett Johansson are fine, but their characters simply aren't written
as compellingly as writer-director Noah Baumbach wanted them to be. Baumbach
was shooting for a tear-jerker where the two characters were equally
sympathetic and the divorce was a great,
unavoidable tragedy.
I was
bored while watching this over-long movie. I didn't feel that a whole heck of a
lot was at stake. The phrase "First world problems" kept going
through my head. Charlie (Adam Driver) and Nicole (Scarlett Johansson) are both
young, healthy, good looking, wealthy, blessed with many supportive friends,
and enjoying great careers in show business. I saw no insurmountable obstacle
that made the divorce inevitable. Two people committed to a marriage could have
worked out Charlie and Nicole's
problems. That they chose not to do so is their own choice and I can't be made
to care more about their marriage than they do.
Also,
the divorce itself didn't strike me as such a big deal. So what if they get
divorced? Why should I care? Both will be with another equally gorgeous,
successful show business spouse in no time.
The
bulk of the movie: many long scenes where Charlie and Nicole tell each other or
someone else what they like and don't like about each other, themselves, or
their marriage. These scenes don't drive any plot and they didn't involve me or
get me to care. "Marriage Story" opens with a scene of Charlie and
Nicole reading lists of things they love about each other. Again, I was bored.
I just did not care that Nicole cuts Charlie's hair well or that Charlie closes
the cabinets Nicole neglects to close.
For a
long time I kept waiting for a scene
that would make me care. I kept waiting for some insight, some plot
development, that would make me gasp and
not regret spending two hours listening to rich, lucky people whine about a problem
that they created themselves. That scene never came. One line made me nod:
Charlie tells Nicole that she doesn't want her own voice; rather, she wants to
whine about not having her own voice.
Some
masterful plots throw two antagonists up against each other and cause me to
debate within myself which antagonist I sympathize with. "Marriage
Story" did not perform that legerdemain for me. The script is weighted in
Charlie's favor. Nicole is not giving saving the marriage her all. Charlie is
more invested. A woman who quits so easily on a commitment to a desirable man
who is the father of her young son, a son who clearly loves his father, is not
compelling to me.
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