My
mother was born in Slovakia and I grew up on stories. How beautiful her village
was, of course. But stories of overwhelming ugliness, too. Munich, like Yalta,
was an obscene word in our household. In 1938, long after Hitler had revealed
that he was a rabid dog needing to be put down, the West surrendered
Czechoslovakia to Hitler without firing one bullet. British Prime Minister
Neville Chamberlain, the man with an umbrella, called the Munich agreement
"peace for our time." One of the many reasons so few Eastern
Europeans are Anglophiles.
My
mother taught me about Lidice, a Czech village that, with its inhabitants, had
been wiped off the face of the earth by the Nazis. The men shot, the women and
children murdered more slowly, the houses razed to the ground. In fact the Nazis
wiped out hundreds of villages in Poland and Czechoslovakia.
"Anthropoid"
is a Hollywood movie that, at long last, tells some of the war from the point
of view of desperate Czechs and Slovaks fighting the Nazis. Fanboys gripe,
"How many World War II movies can you make?" One answer: chronicling
of World War II will not be complete as long as major stories like Operation
Anthropoid remain untold. Reinhard Heydrich was one of the worst human beings
who ever lived. He chaired the Wannsee Conference that formalized the Final
Solution, the Nazi plan to murder all Jews. He was also in charge of the Czech
Republic. He brutalized the population and wiped out the resistance in short
order.
Heydrich
was the only top Nazi to be assassinated, although there were assassination
plots against others, significantly Hitler himself. People need to know that
non-Jews, as well as Jews, suffered under the Nazis. People need to know of the
incredible courage and heroism of forgotten heroes who fought the Nazis. The questions
of an operation like Anthropoid remain open. Is it ethical, and is it
militarily strategic, to assassinate one of history's worst humans if you know
that thousands of innocent people will be murdered in retaliation?
"Anthropoid"
opens with two resistance fighers, Jan Kubis a Czech (Jamie Dornan) and Jozef
Gabcik, a Slovak (Cillian Murphy), being parachuted into Czechoslovakia after
their training in England. They must find the tiny remnants of the surviving
underground and announce their assassination plan. Resistance members Ladislav
Vanek (Marcin Dorocinski) and Uncle Hajsky (Toby Jones) are not immediately
enthusiastic. They recognize the risks of retaliatory mass killings. They
understand that this assassination may be more of a means of bringing respect
to the Czechoslovak government in exile in London under Edvard Benes.
"Anthropoid"
is a tense, gripping, film noir-ish film. I was on the edge of my seat the
entire time, and I cried at the end. For hours afterward I was haunted by the
film.
It's
not for nothing that Steven Spielberg chose to make a glamorous, powerful,
heroic, high-living member of the Nazi party the subject of his
"Schindler's List." It's hard for a storyteller to tell the audience
a story that has no triumphant moments, lots of death, and an ending that most
filmgoers will already know.
"Anthropoid"
consists largely of very tight shots on the faces of its two assassins as they
live in Nazi-occupied Prague, trying to figure out a way to fulfill their
mission. Scenes are dimly lit. Everyone is tense. There is little laughter or
smiling. There is zero swaggering. There is a very brief moment toward the end
that offers a hint of redemption. If you see the film, you will know what I'm
talking about. The scene involves water, light, and a beautiful woman reaching
out her hand.
The
film does not take in the grand sweep of history. There are no shots of London
headquarters, no fetishizing of squeaky Nazi boots or Hugo Boss uniforms.
Lidice is mentioned in such an understated manner that filmgoers unfamiliar
with it won't know what has been said.
"Anthropoid"
offers an almost documentary look at what it is to be an assassin in a
totalitarian regime. It's not fun. I was at first dubious when I heard that
Cillian Murphy would be playing Jozef Gabcik. I wished for a Slovak actor. Murphy's
performance is the emotional and aesthetic heart of the film. Murphy rarely
allows any emotion to register on his face. He has turned himself into a
killing machine. When, at a certain moment, a tear falls from his eye, that
tear carries great weight. The audience knows what a courageous professional
this man is.
My
mother told me about Jan Kubis and Jozef Gabcik. When I have gone through tough
times in my own life, I have used men like them to inspire me. How can I
complain, when they went through so much worse? How can I give up, when they
never did, through a six-hour shootout with Nazis who massively outgunned and
outmanned them? How can I fail to take risks to fight evil, when a Slovak just
like me managed to send to hell a man who seems to have emerged from its most
fetid depths? "Anthropoid" is not a fun movie, but I'm glad I saw it.
It brings me closer to the heroes it honors.
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